Stacey, I would LOVE a Film Economics series from you. That sounds exactly what this moment in the industry needs- more open channels of communication and discussion of how to get things done!
This could be interesting! Curious what a ball park estimate of attaching talent cost looks like? Is there anyone working in the "build the audience" first space? Thought provoking as always Stacey! Thank you!
I'd love to see a newsletter on "how we made it" as it seems that when you dig into any given project, the specifics of how deals came together or how talent was attached ends up being completely unique to that project, within a wide, common scope of possibilities. A lot of time it ends up being a "who you know/who knows you" situation, but not always. I'm curious about both, as well as edge cases of luck/timing/brass-ballsiness, etc to get a project to keep moving forward AND not lose steam on any one of the hundred touch points.
Stacey, I would LOVE a Film Economics series from you. That sounds exactly what this moment in the industry needs- more open channels of communication and discussion of how to get things done!
This could be interesting! Curious what a ball park estimate of attaching talent cost looks like? Is there anyone working in the "build the audience" first space? Thought provoking as always Stacey! Thank you!
I'd love to see a newsletter on "how we made it" as it seems that when you dig into any given project, the specifics of how deals came together or how talent was attached ends up being completely unique to that project, within a wide, common scope of possibilities. A lot of time it ends up being a "who you know/who knows you" situation, but not always. I'm curious about both, as well as edge cases of luck/timing/brass-ballsiness, etc to get a project to keep moving forward AND not lose steam on any one of the hundred touch points.